漢家天下四百年與中國古典舞的一種圖像元模式
“元模式”指最初的模式，集功能、觀念和模式於一身，像中國古典舞中“身韻古典舞”依託的戲曲“唱、念、做、打、舞”模式（當然還有芭蕾模式）、“敦煌古典舞”依託的敦煌壁畫舞蹈模式、漢唐古典舞以漢畫舞蹈為中心的多元古代樂舞模式、唐樂舞依託的唐代舞譜模式等，漢畫舞蹈的元模式顯然是依託漢畫舞蹈圖像。擴展開來講，重建複現的“魚茲樂舞”之元模式在龜茲壁畫中、《人舞》之元模式在朱載境《人舞》舞圖和舞譜中，等等。這是中國古典舞建設的一個基本原則，即尋蹤，它應該成為一門學問——“蹤跡學”（德里達）。今天，漢代文獻學已成專門學問，成果累累；漢代“音樂考古學”也成了專門的學問，音樂界正在研究。漢畫舞蹈研究應該與之並行，其首選，當是舞圖——但必須輔之以書，舞之有理；輔之以樂，舞之有律；輔之以服飾，舞之有規。此外，中國武術、中國民間舞之動態與動勢也是需要汲取的。由此，中國古典舞漢家天下四百年的元模式，就可以聚焦在漢畫舞蹈上面了，以此作為其重建的基點。
關鍵詞：中国古典舞；汉画舞蹈；元模式聚焦
Four hundred years of Han family and a kind of image element model of Chinese classical dance
"Meta model" refers to the original model, which integrates functions, concepts and patterns, like the traditional opera "sing, read, do, play and dance" model (Ballet model, of course), "Dunhuang mural dance model" based on "Dunhuang classical dance", the multi ancient dance model centered on Han painting dance, and the Tang dance model In Tang Dynasty, the dance score pattern and so on, the yuan pattern of Han painting dance obviously relies on the dance image of Han painting. To expand, the reconstruction of the "Yuzi music and dance" meta model in the kuzi mural, the "Renwu" meta model in the Zhu zajing "Renwu" dance map and dance score, and so on. This is a basic principle in the construction of Chinese classical dance, that is, tracing, which should become a kind of knowledge - "tracing" (Derrida). Today, philology in the Han Dynasty has become a special knowledge with many achievements, and "musical archaeology" in the Han Dynasty has also become a special knowledge, which is being studied by the music industry. The study of Han painting dance should be parallel with it. The first choice is dance drawing, but it must be supported by books, dance with reason, music with law, clothing with rules. In addition, the dynamics and momentum of Chinese Wushu and Chinese folk dance also need to be learned. Therefore, the four hundred year yuan model of Chinese classical dance can focus on the Han painting dance as the basis of its reconstruction.
Keywords: Chinese classical dance; Han painting dance; metamodel focus
講者:劉建 教授
北京舞蹈學院教授。研究方向：宗教與舞蹈.舞蹈身體語言學.漢畫舞蹈。歷任教務處處長、研究生處處長、科研處處長、舞蹈教育研究所所長。
出版的專著與教材（含合著）有：1.《宗教與舞蹈》，民族出版社，1998年出版，2005年再版（2000年獲“北京市第六屆哲學社會科學優秀成果獎”二等獎）。2.《無聲的言說——舞蹈身體語言解讀》，民族出版社，2000年出版。2006年再版，2012年第三版（2002年獲“北京市第七屆社會科學優秀成果獎”二等獎）。3.《舞蹈研究的視角與方法》，北京舞蹈學院研究生教材，2005年。4.《印度舞蹈源流》（編譯），北京舞蹈學院內部教材，2007年。5.《非洲舞蹈》（編譯），北京舞蹈學院內部教材，2008年。6.《舞與神的身體對話》.民族出版社，2009年出版（2010年獲“北京市第十一屆社會科學優秀成果獎”一等獎）。7.《拼貼的“舞蹈概論”》，民族出版社，2010年出版。8.《漢畫像舞蹈圖像的表達》，民族出版社，2011年出版。9.《舞蹈調度的形式陳說》，上海音樂出版社，2012年出版。10.《舞蹈身體語言學》（北京市社會科學理論著作出版基金資助，獲2015年中國大學出版社圖書二等獎），首都師範大學出版社，2013年出版。11.《身份、模態與話語——當代中國民間舞思考》，民族出版社.2015年出版。（獲2017年中國民間文藝家協會“山花獎”）。12.《在世界座標與多元視角中——中國古典舞界說》（2017年國家社會科學基金專案），民族出版社，2020年出版。
舞蹈實驗作品：《漢畫舞蹈實驗演出》，北京舞蹈學院綜合樓黑匣子，2017年4月15日。
Liu Jian, Professor of Beijing Dance Academy. Research direction: Religion and dance, dance body linguistics, Chinese painting dance. He has successively served as director of academic affairs department, director of graduate student department, director of scientific research department and director of Dance Education Institute.
Published monographs and teaching materials (including coauthors): 1. Religion and dance, published by Ethnic Publishing House in 1998, reprinted in 2005 (won the second prize of "the sixth excellent achievement award of philosophy and Social Sciences in Beijing" in 2000). 2. Silent speech - Interpretation of dance body language, national publishing house, 2000. Reprint in 2006, third edition in 2012 (won the second prize of "Beijing seventh social science outstanding achievement award" in 2002). 3. Perspectives and methods of dance research, graduate textbook of Beijing Dance Academy, 2005. 4. The origin of Indian dance (compiled), internal teaching material of Beijing Dance Academy, 2007. 5. African Dance (compiled), internal textbook of Beijing Dance Academy, 2008. 6. Body dialogue between dance and God, published by Ethnic Publishing House in 2009 (won the first prize of the 11th Beijing Social Science outstanding achievement award in 2010). 7. "Introduction to dance" of collage, Ethnic Publishing House, 2010. 8. Expression of Han Dynasty portrait dance images, Ethnic Publishing House, 2011. 9. Chen Shuo, the form of dance scheduling, Shanghai Music Press, 2012. 10. Dance body Linguistics (supported by Beijing social science theory publishing fund, won the second prize of 2015 China University Press), Capital Normal University Press, published in 2013. 11. Identity, mode and discourse: Reflections on Contemporary Chinese folk dance, Ethnic Publishing House, 2015. (won the "Shanhua Award" of China Folk Artists Association in 2017). 12. In the world coordinates and multiple perspectives: the definition of Chinese classical dance (2017 NSFC project), Ethnic Publishing House, 2020.
Dance experimental work: Han painting dance experimental performance, black box, comprehensive building, Beijing Dance Academy, April 15, 2017.