當我們與地方共舞-環境劇場中舞蹈的空間、身體及社會關係研究
地理學界的研究方向日益多元廣泛，藝文、舞蹈也漸漸成為地理學所關注的對象。舞蹈的展演空間和其中的身體實踐為地理學界過去較少探索的部分，故此研究為地理學的空間展現，以身體作為標的，形成舞蹈地理學跨界的研究。當舞蹈跳脫制式的舞台空間，以日常生活空間作為舞台，形成舞蹈的環境劇場，其中運作的機制、表演者與在地的互動、舞者自身的身體，以及舞作概念的傳達等都會和地方產生關係，本研究欲探究舞蹈表演如何和當下的環境空間連結？如何和在地互動？當中的身體實踐會是如何？因此，研究目的包含（一）探究舞蹈表演在環境劇場中的空間生產與意義；（二）探究舞蹈在環境劇場中的身體實踐；（三）探究環境劇場中舞蹈作品建構的社會網絡關係。
本研究採用質性研究方法，研究對象為長期致力於環境劇場發展的舞團－「舞蹈生態系創意團隊（Dancecology）」，該團宗旨為「共生」，舞作多以對自然與人文的關懷議題為主，對舞蹈在不同環境空間的展演互動上有其價值和重要性。研究發現環境劇場中的舞蹈表演，有別於傳統的展演空間，再生產與主題連結的社會關係與挑戰過去認識空間的方式；其次，身體在環境劇場的演出回應Thrift的非再現（Non-representational）理論：身體透過展演轉化成社會文化意義，當中的情感、情緒以及空間的塑造，串連在地與舞蹈作品的網絡關係，並且開創舞蹈地理學本土經驗的相關對話。
關鍵詞：環境劇場、舞蹈地理、身體、非再現理論
Dancing with space-the study of dance, space, body and social relationship in the environmental theater
Performance has become an analytical lens for examining a range of geographical phenomena. The dance performance space and the body practice in it are the less explored parts of the geography in the past. Therefore, this research is a spatial display of geography, with the body as the target, forming a cross-border study about the dance of geography. When the dance breaks away from the standard stage space, the daily life space is used as the stage to form a dance environment theater, in which the interaction between the performer and the place, the dancer's own body, and the the dance concept will generate a relationship with the place. Therefore, the research objectives include (1) exploring the spatial production and significance of dance performances in environmental theater; (2) exploring the body practice of dance body in environmental theater; (3) exploring the social network relationship of dancing in environmental theater.
This research adopts qualitative research methods, and the research object is a dance company that has been committed to the development of environmental theater for a long time-"Dancecology". Most of the dance works focus on the issues of concern for nature and humanities, which are valuable and important to the interaction of dance performances in different environmental spaces. Research has found that dance performances in environmental theaters are different from traditional performance spaces, reproducing the social relationship between themes and challenging the past ways of understanding space. Secondly, the performance of the body in the environmental theater responds to Thrift's non-representational theory: the body is transformed into social and cultural meaning through the performance, and the emotions, space are shaped by the network relationship between the local and the dance works. And to create the local experience of dance geography.
Keywords: environmental theater, dance of geography, body, Non-representational theory
講者:黃鈴雅
我就讀國立台灣師範大學地理系研究所碩士班，由於大學時期加入師大現代舞社，於是就開啟了我和舞蹈認識的機緣。大學四年跳的多為現代舞與爵士舞，曾經以編舞者以及舞者的身份參與過每一屆舞展演出；大四時，也參與大專生全國學生舞蹈比賽，獲得團體組優等的殊榮，以及在2015年時參加台北藝穗節舉辦售票演出，我相當投入這些舞蹈活動並且成為我執筆論文的養分。目前致力於舞蹈地理學的研究，舞蹈就是以身體當作語言，表達情感，期望能夠與地理論及的人與環境的互動相融合，創造出新的文化意義。
I was enrolled in a master's program in the Geography Department of National Taiwan Normal University. Since I joined the NTNU Modern Dance Club when I was in college, it opened the opportunity for me to get to know dance. In the four years of college, I mostly danced modern dance and jazz dance. I participated in every dance show as a choreographer and dancer. In my senior year, I also participated in the national student dance competition for college students. And in 2015, I participated in the Taipei Fringe Festival to hold ticket sales performances. I was quite involved in these dance activities and became a nutrient for my thesis. At present, I am committed to the research of the geography of dance. Dance is to use the body as language to express emotions, hoping to integrate with the geography about the interaction between people and the environment to create new cultural meanings.