凝視･臺灣社會被壓抑的女性聲音：舞蹈作品《生･深･聲》創作分析
本研究旨在探討我創作舞蹈作品《生･深･聲》的歷程，此作品於2020年10月7日假臺北市立大學博愛校區中正堂演出，藉由女性主義觀點回看自己的成長歷程，凝視我如何在臺灣父權社會所賦予的性別角色中找尋自己的聲音，呈現生命三階段—女兒、女人、母親之掙扎，從中探尋女性意識壓迫的根源。
本研究採用「實作即研究」（Practice as Research)為研究方法，以藝術家即研究者的精神，藉由創作探尋、解構臺灣父權社會對於女性的壓迫及詮釋新女性之觀點。作品取材自個人成長經驗之深探及視覺藝術作品的啟發，從中發展出舞者身體樣態及女性身體符號，再結合現場演奏的提琴弦音、真實情境聲音，及空中舞蹈的呈現，展現臺灣社會中被掩蓋的女性聲音，以舞蹈作品為女性發聲。
關鍵詞：女性主義、舞蹈編創、父權體制
Gazing into Female Voices Suppressed in Taiwanese Society:
Choreographic Analysis of the Dance Work, “Life, Depth, Voice”
The objective of this study is to discuss the choreographic process of my dance work titled “Life, Depth, Voice”. This work was performed on 7th of October 2020 at Zhong-Zheng Hall, Bo-Ai Campus of University of Taipei. From a feminist point of view, I looked back at my growing process and, as a woman, gazed into ways I had been taking to find my own voice in a patriarchal society of Taiwan. This work presented my struggle in three life phases of daughter, woman, and mother and tried to investigate the repression origin of feminist consciousness.
Practice as Research is adopted in this study as the research method. By considering the artist as the researcher, I deconstructed the power of Taiwanese patriarchal society against women and generated a feminist perspective via creation and exploration. The original ideas emerged out of my personal experience and the inspiration of several visual art works for me. Based on these materials, I further developed body movements and female body symbols for dancers with the combination of a violin live performance, sounds of real situation, and demonstration of aerial dance. This dance work helped utter women’s voices that had been suppressed and hidden in Taiwanese society.
Keywords: Feminism, Dance Choreography, Patriarchal System
講者:吳瑛芳
吳瑛芳自從進入國小舞蹈資優班開始，便以舞蹈身體訓練開啟對表演的熱誠及認知，並曾多次代表學校參加全國舞蹈比賽榮獲佳績為校爭光。大學時期就讀國立臺灣戲曲學院民俗技藝學系學習特技，主修為高空綢吊及空中環，結合舞蹈與特技開拓了表演創作多元媒合的創新思維。現為臺北市立大學舞蹈學系碩士班表演創作組研究生，專研舞蹈及特技的跨領域編創，並將實務操作與理論結合應用。
Ying-fang Wu has been studying dance since she was admitted into the Dance Class for Talented Students in the elementary school. From then on, she has been inspired and became enthusiastic for dance performance and relevant knowledge. She has represented her school to several national dancing competitions and been awarded with prizes. When becoming a student of the Department of Acrobatics, National Taiwan College of Performing Art, she majored in aerial silks and aerial hoop, developing creative approaches to performance by integrating dance technique and acrobatics into multi-modal productions. Currently, she is studying in the Group of Performance and Choreography, Master’s Program of Dance at University of Taipei. Her specialty is interdisciplinary choreography of dancing and acrobatic stunts, focusing on the combination of theory and practice.